In a project I always wanted to do, I ranked The Beatles’ songs in reverse order, 1 through 218. I published this in 2017.
I compiled a list of songs I consider canon. I ignored the live tracks, from the Hollywood Bowl album to the BBC stuff. I did include a handful of the “Anthology” tracks, but only the “new” ones.
The albums listed here are the ones through which I first knew the songs. “Hey Jude” remains a critical album in my Beatles fan development.
At the bottom, I’ve included how I’ve ranked the tracks listed by album of release. I just thought it would be fun to see how that came out.
Ranking The Beatles: No. 218. Dizzy Miss Lizzy (“Help!” [UK], “Beatles VI”)
I’d feel badly about any song I put at the bottom of this list. What makes it easiest is this is clearly my least-favorite Beatles song.
217. Long Tall Sally (“Long Tall Sally” EP, “The Beatles Second Album”)
I just like Paul McCartney better when he’s doing his Little Richard on songs he wrote.
216. Words Of Love (“Beatles For Sale,” “Beatles VI”)
Ringo plays a suitcase on this version.
215. Every Little Thing (“Beatles For Sale,” “Beatles VI”)
Clearly, I’m not a big fan of “Beatles VI.”
214. Till There Was You (“With The Beatles,” “Meet The Beatles”)
Because of the way he sings “myooooo-sic” on this song, Creem magazine gave Paul McCartney the Wimp Rock Lifetime Achievement award. (Or something similarly insulting.)
213. Mr. Moonlight (“Beatles For Sale,” “Beatles ’65”)
What does it say when my favorite recording of this is the Star Club bootleg?
212. Flying (“Magical Mystery Tour”)
I often hear claims that this is the most-played Beatles song because it’s used as a time-filler bump leading into other radio program. The only time I’ve heard it on the radio was when I’ve played it.
211. A Taste of Honey (“Please Please Me,” “Introducing The Beatles”)
I can’t imagine what this sounded like when they were punks in Germany playing it.
210. Kansas City – Hey, Hey, Hey, Hey (“Beatles For Sale,” “Beatles VI”)
For me, this song has always suffered from being too slow.
209. Everybody’s Trying To Be My Baby (“Beatles For Sale,” “Beatles ’65”)
Funny lyrics. My parents were always amused when they heard me singing it.
208. Bad Boy (“A Collection Of Beatles Oldies,” “Beatles ’65”)
John Lennon was really much tougher than this song, which says a lot.
207. Magical Mystery Tour (“Magical Mystery Tour”)
I always thought it sounded like a commercial, which is probably how Paul McCartney intended it.
206. The Fool On The Hill (“Magical Mystery Tour”)
Ray Thomas and Mike Pinder of The Moody Blues are playing harmonica.
205. The Long And Winding Road (“Let It Be”)
Paul McCartney never thought so, but the string arrangement on this song gives it needed gravitas.
204. Rock And Roll Music (“Beatles For Sale,” “Beatles ’65”)
They were just working too hard to write the songs demanded of them.
203. And I Love Her (“A Hard Day’s Night”)
They only played this live once, on a BBC radio show.
202. What Goes On (“Rubber Soul” [UK], “’Yesterday’ … and Today”)
Hearing the instrumental track isolated on one channel of Capitol Records’ awful stereo mixes was an eye-opener. And not necessarily in a good way.
201. It’s All Too Much (“Yellow Submarine”)
Writer George Harrison complained in retrospect about the horns. He should have complained about the on-and-on ending as well.
200. You Won’t See Me (“Rubber Soul”)
John Lennon called Anne Murray’s version of this his favorite Beatle cover.
199. Roll Over Beethoven (“With The Beatles,” “The Beatles Second Album”)
In the 1970s, marking some sort of anniversary, “American Bandstand” played a mashup of the Chuck Berry, Beatles and Electric Light Orchestra versions of the song. A friend said The Beatles’ version was the weakest. Sadly, I agreed with him.
198. Matchbox (“Long Tall Sally” EP, “Something New”)
This was the only U.S. single released off the “Something New” album.
197. Wild Honey Pie (“The Beatles”)
It honestly pains me that I consider this the weakest track on “The White Album.” That’s how much I love that record.
196. Komm, Gib Mir Deine Hand (“Something New”)
It sounds like not even they are impressed with the idea of singing in German. Crazy handclap overdubs, though.
195. Act Naturally (“Help!” [UK], “Yesterday and Today”)
Maybe the only Beatles cover where I prefer the original version (by Buck Owens).
194. Tell Me What You See (“Help!” [UK], “Beatles VI”)
This may be the blandest song The Beatles recorded. And I still love it.
193. You Like Me Too Much (“Help!” [UK], “Beatles VI”)
Nice harmonies by George Harrison on his own song.
192. What You’re Doing (“Beatles For Sale,” “Beatles ‘VI”)
Paul McCartney said it was a better recording than song. But it’s a fine song.
191. I’ll Cry Instead (45 [UK], “Something New”)
John Lennon’s favorite part was the middle eight. On that we agree.
190. All I’ve Got To Do (“With The Beatles,” “Meet The Beatles”)
John Lennon’s solid attempt at emulating Smokey Robinson.
189. Boys (“Please Please Me,” “Introducing The Beatles”)
Ringo Starr’s enthusiasm for the song during live performances makes up for a lot of shortcomings.
188. Let It Be (“Let It Be”)
I don’t rank them separately here, but I prefer the album version with the guitar solo to the 45 version with the keyboard solo.
187. Ask Me Why (“Please Please Me,” “Introducing The Beatles”)
It’s to their credit that I sometimes think this is a Bacharach-David song (like yet-to-come “Baby It’s You”).
186. Good Night (“The White Album”)
It really shouldn’t and couldn’t be different. But Ringo’s singing combined with the syrupy strings make me feel like a different arrangement would have been beneficial.
185. I Wanna Be Your Man (“With The Beatles,” “Meet The Beatles”)
I knew the song before I saw “A Hard Day’s Night.” The film’s dance sequence featuring it makes the song wildly more exciting.
184. Dig It (“Let It Be”)
The full-length versions unearthed by bootleggers interest me more. But I wouldn’t think of forcing them on a non-fan.
183. Don’t Bother Me (“With The Beatles,” “Meet The Beatles”)
I had little idea what George Harrison was singing on this one.
182. Only A Northern Song (“Yellow Submarine”)
Whether intentional or comical, it’s a slap at the manner in which the band was expected to churn its art.
181. Blue Jay Way (“Magical Mystery Tour”)
It’s those endless codas in George Harrison’s weaker songs that get on my nerves.
180. She Came In Through The Bathroom Window (“Abbey Road”)
The backing vocals are especially crystalline. They sound like they’re trying, which lifts a throwaway type of tune.
179. If I Needed Someone (“Rubber Soul” [UK], “Yesterday and Today”)
The Hollies had a minor hit with their version of the song, which was disliked by both George Harrison and John Lennon.
178. Think For Yourself (“Rubber Soul”)
There’s a bootleg recording in circulation of them working out the harmonies for this song. It’s fascinating.
177. Wait (“Rubber Soul”)
Originally intended and recorded for “Help!” They added overdubs to make it sound more current.
176. Devil In Her Heart (“With The Beatles,” “The Beatles Second Album”)
All my thoughts about this song are intertwined with an episode of the Beatles cartoon show. They are good thoughts.
175. Honey Don’t (“Beatles For Sale,” “Beatles ’65”)
Yet another song that relies almost completely on Ringo Starr’s charisma.
174. If I Fell (“A Hard Day’s Night” [UK], “Something New”)
This song makes so much more sense in its British album setting than it does on the U.S. version.
173. Things We Said Today (“A Hard Day’s Night” [UK], “Something New”)
There’s something about this song that always makes me think Paul McCartney must have lost his place when singing the bridge (“Me, I’m just a lucky guy …”)
172. Hold Me Tight (“With The Beatles,” “Meet The Beatles”)
This song would rank considerably higher, but the bridge brings it to a complete halt for me.
171. Little Child (“With The Beatles,” “Meet The Beatles”)
The piano and harmonica make this sound completely different from other early Beatles songs.
170. From Me To You (“1962-1966”)
I didn’t realize until now that this was only released as a 45 in this country until after their breakup.
169. Misery (“Please Please Me,” “Introducing The Beatles”)
George Martin recorded the piano at half-speed and a lower octave.
168. Do You Want To Know A Secret (“Please Please Me,” “Introducing The Beatles”)
It’s such an odd song. Written by John Lennon, sung by George Harrison. It’s really unlike anything else they did.
167. Christmas Time (Is Here Again) (“Free As a Bird” CD single)
A longer version of the song circulated for years. Members of The Beatles Fan Club received a 6-minute version of it on a 45.
166. Get Back (“Let It Be”)
When listening to the album or watching the film, I keep waiting for the coda (“with her high-heeled boots …”)
165. In My Life (“Rubber Soul”)
The next four songs are almost the same song to me. Admirable, but I don’t appreciate it as much as others.
164. Michelle (“Rubber Soul”)
It has a melodic bass solo that’s delightful. It also has Paul McCartney singing in French.
163. Yesterday (“Help!” [UK], “Yesterday and Today”)
The string arrangement is incredibly beautiful.
162. Girl (“Rubber Soul”)
The backing vocals raise this above other ballads from the era for me.
161. If You’ve Got Trouble (“Anthology 2”)
Ringo Starr’s cry of “rock on, anybody!” is all the comment the song needs.
160. Yellow Submarine (“Revolver”)
I always loved Bill Hicks’ vision of the recording of this.
159. Lucy In The Sky With Diamonds (“Sgt. Pepper’s Lonely Hearts Club Band”)
Yes, I think it’s the weakest song on ‘Sgt. Pepper.’ So what?
158. Sgt. Pepper’s Lonely Hearts Club Band (“Sgt. Pepper’s Lonely Hearts Club Band”)
Yes, I think it’s the second-weakest song on ‘Sgt. Pepper.’ So what?
157. I’m A Loser (“Beatles For Sale,” “Beatles ’65”)
The first time they used a 12-string guitar on a recording.
156. Octopus’s Garden (“Abbey Road”)
The bubbly backing vocals are pretty irresistible.
155. Mean Mr Mustard (“Abbey Road”)
The recorded version is a fair step up from the demo.
154. Doctor Robert (“Revolver” [UK], “Yesterday and Today”)
I really like the bridge (“Well, well, well, you’re feeling fine …”) on this song quite a lot.
153. Chains (“Please Please Me,” “Introducing The Beatles”)
I’m thankful for this pointing me to the original. I still enjoy the Fabs’ version more.
152. I’ll Follow The Sun (“Beatles For Sale,” “Beatles ’65”)
Believed to be written pre-Beatles, which makes sense. This sounds like a folk trio song.
151. Sie Liebt Dich (“Something New”)
The reason this is higher on the list than “Komm, Gib Mir Deine Hand” (No. 195) is how much more I love the original song.
150. Maxwell’s Silver Hammer (“Abbey Road”)
I share the frustration John Lennon had with this song. Paul McCartney was trying too hard.
149. The Word (“Rubber Soul”)
I’ve always been surprised that the simple profoundity of this song didn’t touch as many people as it touched me.
148. Not A Second Time (“With The Beatles,” “Meet The Beatles”)
That piano always made this song sound like nothing else they did.
147. Sun King (“Abbey Road”)
I thought the language was real. Sounded real enough to me.
146. With A Little Help From My Friends (“Sgt. Pepper’s Lonely Hearts Club Band”)
Was Ringo ever handed a song more perfect for him?
145. I Want To Hold Your Hand (45 only [UK], “Meet The Beatles”)
It even opened Bob Dylan’s eyes.
144. Long, Long, Long (“The White Album”)
The song has grown on me. It used to seem like such a comedown from “Helter Skelter.”
143. She’s Leaving Home (“Sgt. Pepper’s Lonely Hearts Club Band”)
That harp sure is beautiful, isn’t it?
142. I Need You (“Help!”)
John Lennon worked by hand the volume control on George Harrison’s guitar when they recorded this.
141. Ticket To Ride (“Help!”)
Can drums be a lead instrument? They sound like it here.
140. Anna (Go To Him) (“Please Please Me,” “Introducing The Beatles”)
John Lennon’s vocal defines the phrase “achingly beautiful.”
139. Maggie Mae (“Let It Be”)
It was just so unexpected. It doesn’t run long enough for me to do anything but smile about it.
138. Run For Your Life (“Rubber Soul”)
Used to great effect in the cartoon series.
137. Love Me Do (“Please Please Me,” “Introducing The Beatles”)
OK, so this is where it all started. I’m ranking them all here – I don’t care on which versions Ringo Starr did or did not play.
136. Any Time At All (“A Hard Day’s Night” [UK], “Something New”)
Released before it was really done because of deadlines. The bridge was supposed have lyrics.
135. I’m Only Sleeping (“Revolver” [UK], “Yesterday and Today”)
Featuring a backward guitar solo, and covers one of John Lennon’s favorite topics: his level of fatigue.
134. Don’t Pass Me By (“The White Album”)
I’ve been developing a theory that the degree to which I like a Beatles album is someone linked to the album’s Ringo track. This is the top Ringo song on this list.
133. When I’m Sixty-Four (“Sgt. Pepper’s Lonely Hearts Club Band”)
Listen to the music track isolated, and be amazed at how much area their vocals fill when they’re added.
132. Polythene Pam (“Abbey Road”)
I might have this so high because of the return of “yeah yeah yeah.”
131. Her Majesty (“Abbey Road”)
Knowing it was sliced out of the middle of the medley and tacked on the end sounds is a perfect unintended accident that turns brilliant.
130. She’s A Woman (45, “Beatles ’65”)
It was almost 15 years before this found its way to an album in the United Kingdom.
129. I’ll Be Back (“A Hard Day’s Night” [UK], “Beatles ’65”)
This song has no chorus and two bridges, which is fine, because their bridges in this era were unparalleled.
128. When I Get Home (“A Hard Day’s Night” [UK], “Something New”)
The one Beatles song for which it acceptable to beg for more cowbell.
127. All My Loving (“With The Beatles,” “Meet The Beatles”)
It seems like Paul McCartney has been releasing a song at least this great on an average of at least once a year for the last 50 years.
126. The Inner Light (45 only)
The first George Harrison song released on a single. (It was the B-side to “Lady Madonna.”)
125. Paperback Writer (“A Collection Of Beatles Oldies,” “Hey Jude”)
Oddly, I might think more of this song had it made its way to the “Revolver” album. It belongs there.
124. I Feel Fine (“A Collection Of Beatles Oldies,” “Beatles ’65”)
Hearing outtakes of attempts to get the feedback opening right is entertaining.
123. I Call Your Name (“Long Tall Sally” EP, “The Beatles Second Album”)
The first time the world heard George Harrison’s Rickenbacker guitar on record.
122. Baby It’s You (“Please Please Me,” “Introducing The Beatles”)
There are only three more cover versions left on this list.
121. I’ve Got A Feeling (“Let It Be’)
Fantastic how John Lennon and Paul McCartney were able to create a song from two fragments they had.
120. Ob-La-Di, Ob-La-Da (“The White Album”)
One of those Paul McCartney songs you end up loving even if you don’t want to.
119. Thank You Girl (45 [UK], “The Beatles’ Second Album”)
Another great example of them being so prolific, they could record a song like this and set it aside when they wrote something better.
118. Baby You’re A Rich Man (“Magical Mystery Tour”)
I’ve always loved the line “Tuned to a natural ‘E, happy to be that way.”
117. Revolution #9 (“The White Album”)
I understand almost everyone reading this would put this song at the bottom of a Beatles list, if they even considered it a “song.” I suspect I’ve listened to this more times than every person who will ever read this.
116. There’s A Place (“Please Please Me,” 45 [US])
They lifted the start of the song from “Somewhere” on “West Side Story.”
115. Slow Down (“Long Tall Sally” EP, “Something New”)
As is the case with “Roll Over Beethoven,” I prefer the original (Larry Williams) and a later cover version (The Jam).
114. One After 909 (“Let It Be”)
I always enjoyed Spinal Tap doing its goof on this with “All the Way Home.”
113. Across The Universe (“Let It Be”)
I regard both versions – the one with the strings and the less-lavish version – on the same level.
112. Rocky Raccoon (“The White Album”)
I was always was thrown when Paul McCartney sang about the “Black Mountain Hills” being in “Dakota.”
111. Martha My Dear (“The White Album”)
I love when Paul McCartney drops that 6/8 measure in the solo.
110. I Don’t Want To Spoil The Party (“Beatles For Sale,” “Beatles VI”)
I remember thinking at the time, “They repeat stuff a lot.” Now I realize if it’s good, you want to hear it again and again.
109. Nowhere Man (“Rubber Soul” [UK], “Yesterday and Today”)
What an incredibly beautifully depressing song. And how differently would Americans at the time have regarded “Rubber Soul” had this been there, where it belongs.
108. Tell Me Why (“A Hard Day’s Night” [UK], “Something New”)
The first Beatles song with a falsetto line I couldn’t understand. (“Is there anything I can do?”)
107. Free As A Bird (“Anthology 1”)
I was disappointed in this when it was released, and convinced myself it wasn’t really The Beatles. It grew on me because of how much I liked the subsequent (and upcoming on this list) “Real Love.”
106. I’m Happy Just To Dance With You (“A Hard Day’s Night” [UK], “Something New”)
I put this and “I Don’t Want to Spoil the Party” beside each other when I ponder Beatles songs.
105. No Reply (“Beatles For Sale,” “Beatles ’65”)
This is a nice complete story in lyrics.
104. It Won’t Be Long (“With The Beatles,” “Meet The Beatles”)
The famous “aeolian cadence” song. Don’t look it up. Your head will hurt.
103. Mother Nature’s Son (“The White Album”)
Ask anyone. Even playing the chords of this on an acoustic guitar is a blast.
102. Piggies (“The White Album”)
Someone in my high school submitted these lyrics in a poetry class, and got a B.
101. I’m Looking Through You (“Rubber Soul”)
They sound like they’re having crazy fun playing this.
100. Because (“Abbey Road”)
Hearing the vocals-only version of this on “Love” is astonishing.
99. Why Don’t We Do It In the Road (“The White Album”)
The “Anthology 3” version is even crazier.
98. Another Girl (“Help!”)
The accompanying romp in the film is delightful as well.
97. Yes It Is (45 [UK], “Beatles VI”)
It took me years to understand what was going on with the guitar sound.
96. Fixing A Hole (“Sgt. Pepper’s Lonely Hearts Club Band”)
I thought, “This can’t possibly be a Beatles track …”
95. Eleanor Rigby (“Revolver”)
Yes, this strikes me as superior to “Yesterday.” It makes a string quartet rock.
94. Honey Pie (“The White Album”)
I understand people who criticize this as another example of Paul McCartney at his wimpiest. I have always and still do appreciate his forays into the older styles.
93. Money (That’s What I Want) (“With The Beatles,” “The Beatles’ Second Album”)
I love the urgency in John Lennon’s voice.
92. Within You Without You (“Sgt. Pepper’s Lonely Hearts Club Band”)
When you’re able to crack the song, you realize it’s an ideal blend of Western and Eastern influences.
91. Sgt. Pepper’s Lonely Hearts Club Band (Reprise) (“Sgt. Pepper’s Lonely Hearts Club Band”)
A fascinatingly chaotic track.
90. The Night Before (“Help!”)
Paul McCartney’s songs on the UK version of this album show how much he’s coming into his own.
89. P.S. I Love You (“Please Please Me” [UK], “Introducing The Beatles”)
Even at the very beginning, they were doing distinctive things.
88. The Continuing Story Of Bungalow Bill (“The White Album”)
I honestly love every note Yoko Ono sings on this song.
87. Oh! Darling (“Abbey Road”)
John Lennon always insisted he should have sung this song. John Lennon might have been wrong.
86. Love You To (“Revolver”)
“Revolver” had a number of musical variations to which they never returned.
85. Norwegian Wood (This Bird Has Flown) (“Rubber Soul”)
George Harrison’s sitar is at its most magical when it’s such a part of the song’s flow, you barely notice its existence.
84. Carry That Weight (“Abbey Road”)
It’s majestic. You don’t need to say much more.
83. I’m So Tired (“The White Album”)
I always found it a superior companion piece to “I’m Only Sleeping.” (No. 134)
82. Taxman (“Revolver”)
Paul McCartney plays that raucous guitar solo. What fun.
81. All Together Now (“Yellow Submarine”)
Even if all Paul McCartney had done was write simple little songs like this, I’d still admire and appreciate his work.
80. You Never Give Me Your Money (“Abbey Road”)
Paul McCartney wrote a bunch of these types of things, songs that feel like two or three pieces knitted together. His enthusiasm and the backing vocals sell it.
79. I’ll Get You (45 [UK], “The Beatles’ Second Album”)
When John Lennon and Paul McCartney sing harmonies like they do on the bridge here, I can (and do) listen repeatedly.
78. Blackbird (“The White Album”)
There are tapes of Paul McCartney playing this for Donovan, which are fascinating.
77. Golden Slumbers (“Abbey Road”)
Paul McCartney lifted the lyrics from a hymnal, and wrote appropriately hymn-like music.
76. She Said She Said (“Revolver”)
John Lennon said it best: “Great guitars.” Interestingly, it appears Paul McCartney did not play on this track.
75. Getting Better (“Sgt. Pepper’s Lonely Hearts Club Band”)
Paul McCartney always credited John Lennon with the “it can’t get no worse” response. I always have found that bit mildly annoying.
74. Please Mister Postman (“With The Beatles,” “The Beatles Second Album”)
Why did it sound so great when John Lennon sang “D-liver d-letter, d-sooner d-better” and so stupid when Karen Carpenter did?
73. You Can’t Do That (“A Hard Day’s Night” [UK], “The Beatles Second Album”)
John Lennon at the time may have been the king of writing bridges (“don’t you know I can’t take it …”).
72. What’s The New Mary Jane (“Anthology 3”)
Those who complained about how high I placed “Revolution #9” (No. 116) will also be appalled at how highly I’ve placed this bit of inspired nonsense, which I loved from the second I heard a bootleg in the late 1970s.
71. Your Mother Should Know (“Magical Mystery Tour”)
I’ve never grown weary of Paul McCartney’s nods to early 20th century musical styles.
70. A Hard Day’s Night (“A Hard Day’s Night”)
I love that to this day, people argue about the opening chord.
69. Dig A Pony (“Let It Be”)
John Lennon’s nonsense lyrics always appeal to me. In the “Let It Be” film, a production runner knelt and held a clipboard with the song’s lyrics in front of Lennon.
68. Baby’s In Black (“Beatles For Sale,” “Beatles ’65”)
Those who make comparisons to this and the Everly Brothers are right on track.
67. Please Please Me (“Please Please Me,” “Introducing The Beatles”)
Their simple wordplay in their early days amused them. I still find it quite clever.
66. Eight Days A Week (“Beatles For Sale,” “Beatles VI”)
The alternate version of this on “Anthology” shows the quality of the song emerges in whatever arrangement.
65. Real Love (“Anthology 2”)
This struck me as much closer to The Beatles’ spirit than did “Free as a Bird.”
64. Savoy Truffle (“The White Album”)
I’m sure not ashamed to admit that at 13 or so and hearing this song for this first time, I had no idea what George Harrison was singing about. Stax-y horns.
63. Penny Lane (“Magical Mystery Tour”)
I’m glad they finally released the version with the piccolo trumpet flourish, because I’d been supplying that in my head for years.
62. Everybody’s Got Something To Hide Except For Me And My Monkey (“The White Album”)
I’ve always loved John Lennon’s story about watching Paul McCartney wearing himself out recording the fireman’s bell on this track.
61. You Really Got A Hold On Me (“With The Beatles,” “The Beatles Second Album”)
One of the few times anyone’s improved on Smokey Robinson.
60. Hey Bulldog (“Yellow Submarine”)
The animation of this that was deleted from the film is great.
59. Birthday (“The White Album”)
As annoying as the song can be, their undeniable enthusiasm trumps any irritation factor.
58. Two Of Us (“Let It Be”)
I want so much for this to be a love song John Lennon and Paul McCartney wrote to one another.
57. It’s Only Love (“Help!” [UK], “Rubber Soul” [US])
John Lennon called this one of his worst songs. Another thing on which we disagree.
56. Glass Onion (“The White Album”)
No, I never knew what a “dovetail joint” was before this song.
55. Sexy Sadie (“The White Album”)
I still can’t help singing “Maharishi” every time the title comes up in the song.
54. Twist and Shout (“Please Please Me,” “Introducing The Beatles”)
My favorite version of this song.
53. I Will (“The White Album”)
Paul McCartney’s greatness in part lies with his ability to craft beautiful songs like this one.
52. Good Morning, Good Morning (“Sgt. Pepper’s Lonely Hearts Club Band”)
It took me a long time to understand how a guitar could turn into a chicken, or a chicken to a guitar, or whatever it is.
51. Drive My Car (“Rubber Soul” [UK], “’Yesterday’ … and Today”)
“Beep-beep -n- beep-beep, yeah,” is incredibly simplistic but too much fun.
50. Something (“Abbey Road”)
I cannot imagine a world in which this did not exist, even though I lived in that world.
49. You’ve Got To Hide Your Love Away (“Help!”)
A swell Bob Dylan copy and tribute.
48. All You Need Is Love (“Magical Mystery Tour”)
Who starts a song with the beginning of the French national anthem, then goes into an offbeat time signature?
47. Being For The Benefit Of Mr. Kite (“Sgt. Pepper’s Lonely Hearts Club Band”)
That wash of sounds at the end may be the most psychedelic thing they recorded. It’s wonderful.
46. The End (“Abbey Road”)
Understanding which Beatle is playing which guitar solo is key to understanding what each of them brought to the group.
45. For No One (“Revolver”)
How immortal is the opening “The day breaks, your mind aches”?
44. I Saw Her Standing There (“Please Please Me,” “Introducing The Beatles”)
It’s easy to forget this was the B-side of their breakthrough song, it’s developed such a reputation on its own.
43. You Know My Name (Look Up The Number) (45)
If you want to know what an inside joke between John Lennon and Paul McCartney sounded like, this is it. Its entertainment value puts it this high.
42. Hello Goodbye (“Magical Mystery Tour”)
I’m pleased I like this song now as much as I did when I was 7 and heard it for the first time.
41. This Boy (45 [UK], “Meet The Beatles”)
Breathtaking moment: When all the sound stops after they sing the bridge in that magnificent three-part harmony.
40. Lovely Rita (“Sgt. Pepper’s Lonely Hearts Club Band”)
It’s a pretty jaunty song given how suggestive it is.
39. I Me Mine (“Let It Be”)
One of the few things made better by Phil Spector messing with the “Let It Be’ tapes.
38. I Should Have Known Better (“A Hard Day’s Night” [UK], “Hey Jude”)
Another John Lennon song I like quite a lot more than he does.
37. Here Comes The Sun (“Abbey Road”)
Of all their instrumentation, the opening of this may be their most beautiful.
36. Got To Get You Into My Life (“Revolver”)
When you hear this song, you realize why they pondered recording at Stax Studio.
35. Good Day Sunshine (“Revolver”)
It’s a song that launched an entire subgenre, sunshine pop.
34. For You Blue (“Let It Be”)
Even at the end, when they all disliked each other, you can hear George Harrison’s love for John Lennon in his encouragements.
33. Rain (45, “Hey Jude”)
Probably my favorite use of backward tape in all recorded music.
32. Yer Blues (“The White Album”)
There are bands who would have built an entire album or even a career out of a song like this.
31. I Am The Walrus (“Magical Mystery Tour”)
John Lennon brings John Cage concepts to the masses with his own version of “Radio Play.”
30. Don’t Let Me Down (“Let It Be”)
The song is all about the title phrase. Listen to the pleading with which John Lennon sings it.
29. While My Guitar Gently Weeps (“The White Album”)
Time may have erased its the surprise of its stunning appearance, but it’s also enhanced the reputation of the song.
28. Day Tripper (45 [UK], “’Yesterday’ … and Today”)
What a riff.
27. Julia (“The White Album”)
If all Donovan had ever done was teach this style of guitar playing to The Beatles, that would have been enough of a musical contribution.
26. Here, There, And Everywhere (“Revolver”)
A prime example of Paul McCartney hitting the tone perfectly.
25. I’m Down (45)
Paul McCartney finally was able to distill Little Richard’s career down to this song.
24. I Want To Tell You (“Revolver”)
1966 was Ringo Starr’s greatest year as a drummer.
23. You’re Going To Lose That Girl (“Help!”)
Another song which they could have replicated a dozen times and made me happy.
22. Tomorrow Never Knows (“Revolver”)
One chord, a vocal sound unlike anything else they did, and enough sonic experiments to keep a scholar occupied for years.
21. And Your Bird Can Sing (“’Yesterday’ … and Today”)
I’ve spent far more time than I should have trying to interpret these lyrics.
20. A Day In The Life (“Sgt. Pepper’s Lonely Hearts Club Band”)
It still sounds wholly unlike anything anyone else has done. Ever.
19. I’ve Just Seen A Face (“Help!” [UK], “Rubber Soul” [US])
Paul McCartney sounds as though he’s having absolutely too much fun.
18. Cry Baby Cry (“The White Album”)
John Lennon is the master of making dissonance sound tuneful.
17. Old Brown Shoe (45 [UK], “Hey Jude”)
The top George Harrison song on the list. Which seems about right to me.
16. Come Together (“Abbey Road”)
What a fantastic arrangement. And it sounds almost unadorned compared with the rest of the album.
15. Happiness Is A Warm Gun (“The White Album”)
In my youth, I found this the most daring song on the album.
14. Back In The USSR (“The White Album”)
You’ve got to tip your hat to anyone who can pay tribute to The Beach Boys so wonderfully.
13. The Ballad Of John And Yoko (45 [UK], “Hey Jude”)
It’s just John Lennon (vocals, guitars) and Paul McCartney (drums, bass, harmonies), but it sure sounds like The Beatles to me.
12. Revolution (LP) (“The White Album”)
That opening riff is enough to prove they still had rock and roll mettle to the end.
11. We Can Work It Out (45 [UK], “’Yesterday’ … and Today”)
They never did better in joining song fragments.
10. Lady Madonna (45, “Hey Jude”)
Like so much of what they were recording at this time period, this seems to live it its own universe.
9. I Want You (She’s So Heavy) (“Abbey Road”)
It features 14 words. That’s minimalism. Did they bring trance music to the mainstream with this?
8. Help! (“Help!)
The song and the album marked John Lennon’s stretching out as a lyricist.
7. Can’t Buy Me Love (45, “Hey Jude”)
The proof that they weren’t a flash in the pan. With all the pressure in the world on them, they produce another No. 1 single
6. She Loves You (“The Beatles Second Album”)
“Yeah yeah yeah yeah” is really more profound than anyone wants to give it credit for being.
5. Revolution (45, “Hey Jude”)
Including this song, four of my five favorite Beatles songs were recorded in 1968.
4. Dear Prudence (“The White Album”)
Sometimes John Lennon’s lyrics are beautifully complex in their simplicity: “The sun is up, the sky is blue, it’s beautiful, and so are you.”
3. Helter Skelter (“The White Album”)
My favorite song for years. A superb collection of angry noise.
2. Strawberry Fields Forever (“Magical Mystery Tour”)
The lyrics always made sense to me. Which explains a lot about a lot.
1. Hey Jude (45, “Hey Jude”)
Ultimately, nothing but this can sit at the top. My favorite song ever.
Introducing The Beatles (1964)
44. I Saw Her Standing There
54. Twist and Shout
67. Please Please Me
89. P.S. I Love You
122. Baby It’s You
137. Love Me Do
140. Anna (Go To Him)
153. Chains
168. Do You Want To Know A Secret
169. Misery
187. Ask Me Why
189. Boys
211. A Taste of Honey
Meet The Beatles (1964)
41. This Boy
104. It Won’t Be Long
127. All My Loving
145. I Want To Hold Your Hand
148. Not A Second Time
171. Little Child
172. Hold Me Tight
183. Don’t Bother Me
185. I Wanna Be Your Man
190. All I’ve Got To Do
214. Till There Was You
Second Album (1964)
6. She Loves You
61. You Really Got A Hold On Me
73. You Can’t Do That
74. Please Mister Postman
79. I’ll Get You
93. Money (That’s What I Want)
119. Thank You Girl
123. I Call Your Name
176. Devil In Her Heart
199. Roll Over Beethoven
217. Long Tall Sally
A Hard Day’s Night (1964)
38. I Should Have Known Better
70. A Hard Day’s Night
203. And I Love Her
Something New (1964)
106. I’m Happy Just To Dance With You
108. Tell Me Why
115. Slow Down
128. When I Get Home
136. Any Time At All
151. Sie Liebt Dich
173. Things We Said Today
174. If I Fell
191. I’ll Cry Instead
196. Komm, Gib Mir Deine Hand
198. Matchbox
Beatles ’65 (1964)
68. Baby’s In Black
105. No Reply
124. I Feel Fine
129. I’ll Be Back
130. She’s A Woman
152. I’ll Follow The Sun
157. I’m A Loser
175. Honey Don’t
204. Rock And Roll Music
208. Bad Boy
209. Everybody’s Trying To Be My Baby
213. Mr. Moonlight
Beatles VI (1965)
66. Eight Days A Week
97. Yes It Is
110. I Don’t Want To Spoil The Party
192. What You’re Doing
193. You Like Me Too Much
194. Tell Me What You See
218. Dizzy Miss Lizzy
210. Kansas City – Hey, Hey, Hey, Hey
215. Every Little Thing
216. Words Of Love
218. Dizzy Miss Lizzy
Help! (1965)
8. Help!
23. You’re Going To Lose That Girl
49. You’ve Got To Hide Your Love Away
90. The Night Before
98. Another Girl
141. Ticket To Ride
142. I Need You
Rubber Soul (1965)
19. I’ve Just Seen A Face
57. It’s Only Love
85. Norwegian Wood (This Bird Has Flown)
101. I’m Looking Through You
109. Nowhere Man
138. Run For Your Life
149. The Word
162. Girl
164. Michelle
165. In My Life
177. Wait
178. Think For Yourself
200. You Won’t See Me
“Yesterday” … and Today (1966)
11. We Can Work It Out
21. And Your Bird Can Sing
28. Day Tripper
51. Drive My Car
135. I’m Only Sleeping
154. Doctor Robert
163. Yesterday
179. If I Needed Someone
195. Act Naturally
202. What Goes On
Revolver (1966)
22. Tomorrow Never Knows
24. I Want To Tell You
26. Here, There, And Everywhere
35. Good Day Sunshine
36. Got To Get You Into My Life
45. For No One
76. She Said She Said
82. Taxman
86. Love You To
95. Eleanor Rigby
160. Yellow Submarine
Sgt. Pepper’s Lonely Hearts Club Heart (1967)
20. A Day In The Life
40. Lovely Rita
47. Being For The Benefit Of Mr. Kite
52. Good Morning, Good Morning
75. Getting Better
91. Sgt. Pepper’s Lonely Hearts Club Band (Reprise)
92. Within You Without You
96. Fixing A Hole
133. When I’m Sixty-Four
143. She’s Leaving Home
146. With A Little Help From My Friends
158. Sgt. Pepper’s Lonely Hearts Club Band
159. Lucy In The Sky With Diamonds
Magical Mystery Tour (1967)
2. Strawberry Fields Forever
31. I Am The Walrus
42. Hello Goodbye
48. All You Need Is Love
63. Penny Lane
71. Your Mother Should Know
118. Baby You’re A Rich Man
181. Blue Jay Way
206. The Fool On The Hill
207. Magical Mystery Tour
212. Flying
White Album (1968)
3. Helter Skelter
4. Dear Prudence
12. Revolution
14. Back In The USSR
15. Happiness Is A Warm Gun
18. Cry Baby Cry
27. Julia
29. While My Guitar Gently Weep
32. Yer Blues
53. I Will
55. Sexy Sadie
56. Glass Onion
59. Birthday
62. Everybody’s Got Something To Hide Except For Me And My Monkey
64. Savoy Truffle
78. Blackbird
83. I’m So Tired
88. The Continuing Story Of Bungalow Bill
94. Honey Pie
99. Why Don’t We Do It In the Road
102. Piggies
103. Mother Nature’s Son
111. Martha My Dear
112. Rocky Raccoon
117. Revolution #9
120. Ob-La-Di, Ob-La-Da
134. Don’t Pass Me By
144. Long, Long, Long
186. Good Night
197. Wild Honey Pie
Yellow Submarine (1969)
60. Hey Bulldog
81. All Together Now
182. Only A Northern Song
201. It’s All Too Much
Abbey Road (1969)
9. I Want You (She’s So Heavy)
16. Come Together
37. Here Comes The Sun
46. The End
50. Something
77. Golden Slumbers
80. You Never Give Me Your Money
84. Carry That Weight
87. Oh! Darling
100. Because
131. Her Majesty
132. Polythene Pam
147. Sun King
150. Maxwell’s Silver Hammer
155. Mean Mr Mustard
156. Octopus’s Garden
180. She Came In Through The Bathroom Window
Hey Jude (1970)
1. Hey Jude
5. Revolution
7. Can’t Buy Me Love
10. Lady Madonna
13. The Ballad Of John And Yoko
17. Old Brown Shoe
33. Rain
125. Paperback Writer
Let It Be (1970)
30. Don’t Let Me Down
34. For You Blue
39. I Me Mine
58. Two Of Us
69. Dig A Pony
113. Across The Universe
114. One After 909
121. I’ve Got A Feeling
139. Maggie Mae
166. Get Back
184. Dig It
188. Let It Be
205. The Long And Winding Road
Single tracks
25. I’m Down
43. You Know My Name (Look Up The Number)
65. Real Love
72. What’s The New Mary Jane
107. Free As A Bird
116. There’s A Place
126. The Inner Light
161. If You’ve Got Trouble
167. Christmas Time (Is Here Again)
170. From Me To You